by JimN » Sat Dec 19, 2009 9:15 pm
The track Evening Comes is 'rare' only in the sense that it wasn't issued at the time in the UK (then still the main market for Hank & The Shadows).
Some of the more informed cognoscenti (I'm thinking here of people like Rob Bradford and George Geddes - but not me) were aware of it over the years and presumably managed to get hold of import singles from the Antipodes (or cassettes thereof - remember cassettes?). Eventually, though, the recording was issued in the UK on the 1980 See For Miles LP/CD "Would You Believe It?", which re-packaged most of Hank's solo EMI material - his first LP and all the singles and maxi-singles except for two erstwhile 45rpm tracks (London's Not Too Far and Break Another Dawn). SFM also reissued the "Guitar Syndicate" LP in digital format. More recently still, EMI released a reissue with the same contents as the previous SFM album plus the two missing tracks.
The issue, I think, is that Evening Comes suffers from two problems compounded. The first problem is that it comes from an era when Hank and The Shadows simply weren't selling all that much. There are other tracks from the same period which can fairly be characterised as "little-known", including Slaughter On 10th Avenue, Boogatoo, Goodnight Dick and Wahine (that latter being very similar to Evening Comes). Whilst everyone down at the local pub has heard Apache and Wonderful Land, fewer have heard Stingray or Maroc 7 and fewer still (this also applying even to guitar-playing fans) have ever heard Wahine or Evening Comes.
The other problem is the period over which the track wasn't available. I, for instance, had never even heard of it before 1990 (when I got a copy of the SFM CD). This gave the recording even less chance to become established in the minds of fans (never mind getting established with members of the uncommitted masses).
As it happens, there is a BT for Wahine - but Wahine was released in the UK in 1969. The rival BT-makers have to tread a thin line between the fact that the most popular songs have each been issued several times as competing backing tracks, whilst the ones which are "still up for grabs" are getting increasingly difficult to identify as popular enough to be a Unique Selling Proposition. Ian McCutcheon has included quite a few "rarities" on his "Shadows Workout" series (as examples, I cite Friends, Maid Marion's Theme and Poem - and they're just from the first two collections). More recently he has offered Late Night Set and... Wahine).
By the way, I've had the experience of finding that only a few Shads fans can actually recall (let alone name) the more obscure tracks. Renditions of The Lute Number and Maggie's Samba on my Gibson flat-top often lead to puzzled looks (and not, I think, due to my playing...). One ex-Shadow identified the second of those as Alentejo.
So... perhaps someone will do a BT for Evening Comes. As with six-string bass tunes Thunderbirds (provided by Ian) and Main Title Theme (essayed by Phil and Andy McGarrick), you ought to do what I did: make a nuisance of yourself. Start a thread about which tracks you'd like to see on a future BT CD and keep at it. The people who do them are always open to suggestions.
Hope this helps,
JN