yeah "John Farrah" really cracked me up...!
Besides the heavier rock style which modernised their sound in a positive way ('Honky Tonk Women', 'Superstar', 'Curly Leads', 'Jumpin Jack Input', 'Gutbucket', 'Pinball Wizzard', etc) - as opposed to the very thin 'poppy' more simplistic sound of the later Polydor era - JF was also responsible for some SUPERB harmony guitarwork with Hank (i.e. 'Humbucker','Turn Around and Touch Me', 'Wide Mouthed Frog' etc ) - something Hank enjoyed later with his son Ben in his solo concerts - Hank & John were on the same wavelength playing guitar licks off each other
John Farrar also composed some great instrumentals - 'Years Away', 'Gracie' besides being a major influence on the rest of the band, both as a musician and as a production figure duly getting each to play to their best !
they retained the more traditional Shads sound too with wistful instrumentals such as; 'Like Strangers', the reflective 'The Most Beautiful Girl', and the dual straightforward / complex take on 'Goodbye Yellow Brick Road', plus the cool jazzy style instrumental 'Spider Juice'
Brian Bennett has said 'Rockin With Curly Leads' was one of his own very favorite Shadows albums
John's lovely 'country' style slide guitar underpinning Hank's lead guitar on 'Colorado Songbird' was quite superb and as a synth' player he added another dimension to their sound (note they retained JF's synth playing on the later single re-cut version of 'God Only Knows')
vocally John Farrar was probably the most distinctive voiced member of The Shads ever, his high harmony and falsetto gave them a really complete vocal sound, while his 'rock' voice on MWF's version of 'Throw Down A Line' was as powerful as anything American rock bands were doing, the Marvin-Farrar rock guitarwork on 'Black Eyes' was terrific, as was 'The Time To Care'
I had always dreamed of a 'Marvin-Farrar-Welch-Rostill-Bennett' Shads line up that sadly was not to be after JR's sad passing...but WHAT a composing and performing Shads line up that would have been !
whilst the extra guitar part they added to the live in Paris 1975 'Dance On' didn't really boost it JF played great harmony lead guitar with Hank on 'Sleepwalk', 'Somewhere', 'Apache' ,'Flingel Bunt' ...also 'Puff Puff' and 'Turn Around And Touch Me' plus added decent back up guitar alongside Bruce on other tracks
I was told that Hank and John remained in touch - and friends - after JF re-located to produce 'Livvy' in the USA - they co-wrote 'China Town' one of the best songs on Hank's 'Words and Music' solo album, while JF included his solo version of their 'It'll Be Me Babe' on his self titled solo album on CBS Records later.