by scouserjoe2 » Sun Nov 14, 2021 3:17 pm
Hi,
Wonderful Land is my favourite track of all time and I have spent hours and hours listening to all the various Shadows' recorded versions of it and have tried to replicate the original as close as I can. This is as close as I have heard, but it is just too close to convince me that this is an original piece of work even it has been achieved using a BT from a Shadows' recording with the lead removed.
For a start I was trying to work out which of The Shadows' versions of Wonderful Land that he could have been working with from which he might have simply removed the lead and was using as a BT. I was trying to listen for the tom-tom overdub that is only available on the original mono recording. It is near impossible to produce a BT by extracting the lead from that particular version, so if I could have detected the version he was using then it might have confirmed its lack of authenticity as a genuine original piece of work. However I was unable to decide.
The second thing I noticed, and Paul Rossiter might be able to shed some light on this subject and correct me if I am wrong, were the settings on his TVS3 unit. These do not figure with the sound he is getting. Throughout the recording the input signal barely shows more than one green indicator light. When I am playing, to achieve the kind of echo and ambience that is required for this number, I have to ensure that this indicator shows three green lights and sometimes peaks into the yellow. The lighter your touch and playing style, the harder it is to achieve the sound you are looking for - without turning the input dial to almost full on. This guy would appear to have a fairly light playing style, so I am not convinced that the settings he has on the TVS3 would achieve the sound we are hearing.
I had another listen to the recording mentioned by Paul in his post above, and although this is a very good version with many likenesses to the Shadows' original, the tone achieved on the palm muted section is the clear give away that it is not. That is usually the place where people have difficulty perfectly replicating the original (probably because Hank most likely used old strings when many of us use new ones).
As has already been noted, Robby Janurasa (Suragitar) produces some of the most accurate 'covers' of all, but good as they are, you can still spot the occasional differences in tone in some of his covers - including Wonderful Land.
Finally, the fade out (which almost perfectly matches the original recording) is a bit dubious also.
Cheers,
Ian