by fullerton62strat » 12 Aug 2012, 12:05
Spike,
I think this posting has answered the fundamental question of ''That Sound''.
It has always been thought that the sound was enhanced by the studio and recent disclosures have highlighted anomalies that point in this direction. One of the most interesting is the RS 106 Echo Control System that regulated the bass cut at 600 herts and top at 10,000 herts. This had the effect of thickening up the signal, enhancing the harmonics and reshaping the signal before it hit the echo unit. Whether this was the king pin in producing that sound is still not known, but is very interesting
What you guys have done is produce THAT sound in a similar way to how it was done originally, in a studio environment. That in itself is pretty remarkable. You point out that THAT sound could not be produced on stage in the past and present and I totally agree. Acoustics and audience mass at a venue all contribute to the sound and no two venues are the same. Having heard the Shadows on vynil first before seeing them live probably spoilt all of us into thinking a Strat, amp and echo box would produce the sounds on that first LP! Not even the Shadows could reproduce that sound live on 60s TV shows - close, but not there. Also, Hank was playing so the phrasing and playing style would have been a mental 'same as' in the overall assessment to the ear.
We have been looking in the wrong direction all the time - here's the proof. The kit you are using incorporating the TVS, has produced outstanding results. Congratulations to you all.
John
Last edited by fullerton62strat on 12 Aug 2012, 18:59, edited 1 time in total.