Hi Bill,
As you say, the internet is a wonderful place, although the glimpses it offers of these 'mystery' Marvin prototypes are as frustratingly vague as they are intriguing and useful. That said, they do show how naff the guitars looked without the upper horn section of the scratchplate - very odd why Baldwin chose to omit such an easily installed item! I see the same line-up of seemingly unfinished instruments is employed for equally pretend performances of Jigsaw and In The Mood. Judging from Mr. Welch's playing style in the clips, maybe the hand-rest could be called 'Anti-Bruce Bars'! Who knows, maybe this component was indeed added for his benefit, rather than to suit a certain Mr. Marvin - I never actually pressed Jim on this point.
While on the subject of BW, his Marvin that you pictured in a previous posting on this thread was very much a prototype in quite a few ways, including the ridged bridge saddles, the extended black surround for the Rezo-Tube plate, the position of the two-bar rest (that description sounds quite musical, doesn't it) and the strap button sited on top of the upper horn. Presumably Bruce was happy with his early example the way it was and simply didn't bother with any subsequent developments or refinements.