Picking up on Adrian Fountain's point about original fittings and no filled holes in the 'Ebay Burns Vibra Artist' thread, my early Artist demonstrates the same Burns approach to guitar building. The Artist models had no tremolo (that came with the Vibra-Artiste). However, my Artist (a late 1959 model which I bought in 1963) had a Bigsby fitted from new, presumably as a special order. There are no filled holes in the body where a 'standard' bridge would have been fitted, so the Bigsby must have been fitted from new at Queens Road.
Back in the 1960s there was no way that I could have imagined what an 'untouched' Burns Artist might be worth 50 years later so I merrily made all sorts of modifications to the circuitry and over the years I have made half a dozen new panels. However, I kept the original panel (the only one I've ever come across made in cream plastic with a black scratchplate rather than the other way round) and here it is:-
The arrow shows where someone (maybe even Jim Burns himself) had to cut into the panel to make room for the Bigsby's mounting foot.
The output of the Burns 'factory' in those days was probably only a few dozen guitars a week so making 'specials' for particular clients who would have paid up when the guitar was handed over must have been a useful addtion to the intermittant payments that would have come in from wholesalers and shops.
Ray