dave robinson wrote:
Jay, the 60's version of the Classic Player is equipped with Fender Custom Shop '69 pickups allegedly wound by Abigail Y'Barra, but the 50's one does indeed come with 57/62s.
Dave - I think the reference to 57/62s was possibly Jay quoting me quoting the bloke at MIJ saying the Jap'62 is currently sold with 57/62s. When you replaced the Jap '62RI with the US one, do you recall how they differed, or was it simply wanting the US one anyway for all the reasons you've mentioned?
Bluesnote - Could the differences in weight and pickups have just been their eighties spec at that time? I understood the modern ones to be almost identical to the US guitars with no discernible weight differences and with proper US 57/62s, although I imagine timber options would still vary.
Interestingly, when discussing quality control the MIJ chap said in terms of percentages of new guitars out of the box that had no issues, Mex:85%, Jap:95%, US:55%. I thought I'd misheard but he repeated the 55% figure for US guitars as he felt they appeared not to care any more as so many were simply not up to scratch. Nothing major, just attention to detail or with some parts not fitting as well as they should. This only refers to new ones. Hope the proposed special US Fiesta Red ones they're discussing have better QC than those.
Tony - I responded to a thread previously (may not have been you) discussing the Biffy Clyro strat as I'd tried one in my local shop and found it hugely disappointing both in feel and sound quality. However last weekend I tried one in another shop and this was a completely different experience. To be fair, unlike the first where the guitar had only just been unpacked, this second example had been set up properly by their luthier with adjusted action and intonation. I was fully expecting to be disappointed again but have to admit it played superbly and was actually streets ahead in terms of tone and feel to three US strats I tried at the same time, one being a used custom shop jobbie at £1200 or so. With rosewood board, I knew it would feel different, compared to my Mex maple one, but it fitted my small hands really well and was a doddle to play.
They were charging the full £299 RRP, which would still have been a great price for such an excellent guitar - but I just could not get my stupid brain to ignore the Squier logo. I even looked briefly on the web, when I got home, to see if you could buy Fender transfers to replace it, before I gave myself a mental slap and told myself off for being too ridiculous for words. I do think the trem block would need to be replaced - it was impossible to tighten the trem arm to make it usable with it pointing up the guitar - it still flapped about and wobbled in this position. Its ideal tension was when it was pointing towards the bottom end - not a lot of use in that position and although I could apply some plumbers tape, I think the unit felt a bit cheap and would need replacing.
Thanks for the various replies as it all helps with the decision making process.
Regards,
Martyn