Following the re-acquisition of my old Burns Vibra Artist, I decided to see if I could partner it with the same sort of gear I employed in 1964. This nostalgia-induced idea was really all about looks rather than re-creating the actual sound, which wasn't anything special as I recall, although it kept me gainfully employed!
My set-up back then was a Vox AC10 Twin combo plus the ubiquitous Copicat, but I also used a strap-mounted Topaz effects unit that delivered treble boost or tremolo. I've given up on finding a surviving example of the latter little box, while very limited cash means I can't even consider forking out around £500 for an appropriate era Copicat - the thing was rubbish back then and I know it won't be any better now! The same penny-pinching pragmatism has to apply to the Vox AC10 Twin, which was a 50-quid combo in 1964 and sounded like it, but these days this model apparently attracts almost reverential awe and equally misguided prices of about £1500!
My reality-based reluctance to play the inflated-value vintage game has prompted me to purchase a Vox Cambridge 30 Reverb Twin. I'm fully aware this circa-2000 2x10 combo is a Korean-made piece of c--p, but appearances are roughly right and therefore make it a much more attractive and affordable alternative to the 'real thing'. Unsurprisingly, it certainly looks a lot better than it sounds, but I've seen mentions of various mods that can soup up the sonic side and for comparatively little cash. While not expecting any miracles, I would like less distortion on the supposedly clean channel, along with a little more output and a tremolo that makes some discernible difference.
Can anyone on here provide the necessary info, relevant schematics etc. to achieve these aural improvements? Armed with this knowledge I can confidently then pass the task to my local amp repairer, so any help would be much appreciated.