Moderators: David Martin, Iain Purdon, dave robinson, George Geddes
Tigerdaisy wrote:I never said the trem wasn't needed and I agree its a big part of 'the sound', I just prefer the early use of it compared to the current 'clinical' technique.
dave robinson wrote:Tigerdaisy wrote:I never said the trem wasn't needed and I agree its a big part of 'the sound', I just prefer the early use of it compared to the current 'clinical' technique.
Who's or what current clinical technique ecactly ?
Tigerdaisy wrote:dave robinson wrote:Tigerdaisy wrote:I never said the trem wasn't needed and I agree its a big part of 'the sound', I just prefer the early use of it compared to the current 'clinical' technique.
Who's or what current clinical technique ecactly ?
The effect of the trem is lost by overuse, in a similar way on the Hammond where some player have the Leslie on the go all the time- it loses the dramatic effect you get when its just used as a climatic effect. HBM early use of the trem was more selective and aggressive and had attitude whereas now it sounds more like songs on sunday with leather bound bibles and Devon Violets aftershave. That's how it seems to me- just my opinion. In the early days I'd have loved a Strat with a trem, but these days I don't even own a Strat.
dave robinson wrote:Vincent wrote:nivramarvin wrote:Also on double stops finger vibrato is not possible - for me anyway.
It's very good for sounding like a cat! -like the one in the photo...and not forgetting Jimi Hendrix
I look forward to hearing some of your sound files if you would care to post some, so that we all may admire your expertise in this field.
Return to How To Get "That Sound"
Users browsing this forum: No registered users and 84 guests