abstamaria wrote:Our friends at TVS have a humorous (and I think very good) version on
https://youtu.be/pFu4LYSyjoI
David Martin wrote:I believe the piano is in the mix the entire time, but is most prominent in the intro lick.
There's another element to the lead tone not mentioned above, and that is the DeArmond 610 permanently in circuit in "treble" position.
Top Boost? The recipe is as posted earlier by someone else except.... you need an old one. The modern top boost wiring is not the same, and the two controls are not so markedly interactive.
https://youtu.be/mzINrRrqmCI Flingel is the last track here. '64 Top Boost, DeArmond 610, EFTP Q2 boosting the signal loss. Modern Marvin. I'm really happy with the sound I could get...
David Martin wrote:What an interesting thread. For what it's worth, here's my take. Tin hat on!
I think the latest Shads releases prove conclusively that The Shadows couldn't replicate their recorded sound when playing live. The nearest I reckon is on the ABC Kingston album....
There are several more recent players, notably Justin Daish, Phil Kelly, Colin Pryce-Jones, have more authentic sounds than Hank ever managed.
As to Flingel... I believe the piano is in the mix the entire time, but is most prominent in the intro lick.
There's another element to the lead tone not mentioned above, and that is the DeArmond 610 permanently in circuit in "treble" position.
Top Boost? The recipe is as posted earlier by someone else except.... you need an old one. The modern top boost wiring is not the same, and the two controls are not so markedly interactive.
https://youtu.be/mzINrRrqmCI Flingel is the last track here. '64 Top Boost, DeArmond 610, EFTP Q2 boosting the signal loss. Modern Marvin. I'm really happy with the sound I could get...
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