and don't forget 'I Can't Forget' !!
'Running Out of World' was a gem plus the two vocals featured on 'Established 1958' album - 'Here I Go Again (Loving You)' was very Tremeloes-ish !
plus the seventies vocal tracks - studio and live - with John Farrar and just after....then those 80's vocal tracks too
certainly scope for a more complete expanded up to 2 or even 3 CD set of Shadows vocal tracks exists - BUT is the wider public market really there for it ?
(besides us of course)
I do think the guy who posted on this thread earlier was far too derogative of The Shadows vocals in the earlier days
I LIKED their version of 'All My Sorrows' - it's well crafted and not dreary at all (that's just his view !) and 'Baby My Heart' was great
'Lonesome Fella' was moody while Jack Good praised up 'Saturday Dance' which for it's era was fine
The Swinging Blue Jeans covered both the Shads original 1964 vocal tracks on 'Dance With The Shadows' on their 'Blue Jeans A Swinging' album proving the Liverpool merseybeat bands respected The Shads vocals as well as instrumentals
George Harrison liked 'Don't Make My Baby Blue' - a UK no.10 in 1965 - George said The Shads ought to cut more vocal tracks
their style was simple - Hank was 'Don Everly' and Bruce was 'Phil' - later John Farrar was like adding Frankie Valli to The Everlys re the harmonised sound of M W & F
Jet took early 'moody' vocals, Brian and later John tended to complete their three part harmonies - John actually had a 'John Stewart' style Americanised lead voice as his 'Funny Old World' single proved while Bruce had a more reflective lead vocal voice when not taking the high harmony to Hank's lead voice
they did the vocals later as something of an alternative to just playing mostly guitar led instrumentals - like the piano led tracks etc and maybe felt their vocal work backing up Cliff was enough to get by on vocally with the guitar led instrumentals really their forte as a band (??)
- certainly besides later the M W & F albums (which undeservedly sadly just didn't sell as they should have) and the Eurovision songs (not originally planned for 'Specs Appeal') they never did more than just the two or three vocal tracks with a few all instrumental albums along the way which indicates they never felt their vocals were where their key musical idiom lay, despite cutting some terrific vocal tracks over the years