Hello Roger,

I am really glad that it worked for you. I think you are right in relation to frequencies associated with the controls on the tonelab. I tend to rely more on the record by listening to it closely, and attempt to achieve similar tone from there rather than researching on what amp was actually used for one particular tune. The original recordings that we hear are all professionally engineered. As you mentioned recording desk at Abbey Road might take part in shaping the sound, as well as other equipment such as the pultec, fairchild 670, the echo chamber, etc. I try to include all those into account in my attempt to emulate the sound from the original recordings. It's a headache but also a lot of fun doing it

. I'm not sure if I'm successful yet but I am happy and having a lot of fun playing the guitar with the setup I have right now.

it's all my humble opinion of course.
lastly, I find that picking the strings on certain areas of the pickups will also help in shaping the right sound, for example in the opening/ending of Wonderful Land, if you pick around the middle pickup without holding the tremolo arm then apply the tremolo slightly at the end of the notes would help you to get closer to the sound that we hear on the records and this apply to some other tunes as well. I also find, back in those days Hank didn't always hold the tremolo arm all the time like the way he is using it in his modern eras. Here are some example:
This is the way he played FBI in 1961:
And this one is from 1986 (He is still playing this way recently only smoother)
I hope you have lot of fun playing with the settings. And thank you so much for watching the videos.
Regards,
Robby
Last edited by Rjanuarsa on 08 Dec 2010, 05:56, edited 2 times in total.