Jet bum notes (frightened city)

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Re: Jet bum notes (frightened city)

Postby Uncleboko » 08 Feb 2015, 11:12

If there had been bum notes, surely it would have been re-recorded and we may have had a different guitar solo to learn :D
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Re: Jet bum notes (frightened city)

Postby neil2726 » 08 Feb 2015, 12:51

Not necessarily - bum notes have got through before. Remember in those days artists had to record two or three tunes in a short space of studio time! Unlike today where they spend months on one song, and years on an album!
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Re: Jet bum notes (frightened city)gh

Postby Iain Purdon » 08 Feb 2015, 22:48

That's right. Jet goes off track at the end of Man Of Mystery and his A string is a bit flat in Theme From A Filleted Plaice. Hank muffs a chord in Blue Turns To Grey. Licorice's bass line in Dance On isn't wrong but it's not what you'd expect. There's supposed to be a drum glitch in Atlantis although I haven't been able to identify it. Even the supremely accurate John has a minor wobble in Bossa Roo. Are they bum notes or are they 'character'? To me, the energy is vital and if you get a great performance with the odd technical hiccup, I'd rather have that than note perfection with no soul :)
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Re: Jet bum notes (frightened city)

Postby Martin Page » 08 Feb 2015, 23:22

I've always wondered whether Hank played the A note too early in one of the verses in My Resistance is Low...

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Re: Jet bum notes (frightened city)

Postby Uncleboko » 09 Feb 2015, 09:07

Actually, all the mistakes were played by Jimmy Page :lol:
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Re: Jet bum notes (frightened city)gh

Postby Fenderman » 11 Feb 2015, 13:33

Iain_P wrote:That's right. Jet goes off track at the end of Man Of Mystery and his A string is a bit flat in Theme From A Filleted Plaice. Hank muffs a chord in Blue Turns To Grey. Licorice's bass line in Dance On isn't wrong but it's not what you'd expect. There's supposed to be a drum glitch in Atlantis although I haven't been able to identify it. Even the supremely accurate John has a minor wobble in Bossa Roo. Are they bum notes or are they 'character'? To me, the energy is vital and if you get a great performance with the odd technical hiccup, I'd rather have that than note perfection with no soul :)


I agree, i like hearing old recordings with the occasional minor glitch, unlike today's clinical recordings.
I also like to hear 'background' noises, you get quite a bit particularly on Shad's recordings.
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