Tigerdaisy wrote:The short scale doesn't give the Fender 'twang' but is slightly easier on the hands for fingering certain chords- I find a Gibson SG type of guitar easier to play chords on than a Strat. We're only talking about 1/2 inch or so difference and so you don't really notice the difference that much, except that there's less of a stretch fingering chords.
I should add that all Gibsons are 'short scale' and all Fenders are the longer scale, (as far as I'm aware) why exactly these choices were made in the first place I don't know, but there are subtle differences in character of sound. PRS mostly uses the shorter scale although they use the longer scale for their Fender type guitars.
I'm afraid that it isn't correct that all Gibson guitars are "short scale". In fact, only a few ever were.
The more common 24.75" scale on a Gibson (SGs, Les Pauls, 335s, 175, J-45, etc) is not "short". It is within the definition of "standard scale length".
Even so, there are many well-known Gibson models with the longer standard scale of 25.5". These include the premium acoustic and electric archtops (L5, L-7, Super 400, Barney Kessels, etc) and the upper end of the flat-top jumbo range (J-200, Hummingbird, Dove). There is even at least one Gibson solid electric with a 25.5" scale: the RD series.
Historically, Gibson did also make genuinely short scale models as options within the range. The ES-120T came with a scale length of 22.75" and the Melody Maker (plus some Les Pauls) could be supplied as an option with that 22.75" scale, which Gibson called the "3/4" scale.